Paddo's interest in researching pigments can be traced back to his upbringing and career at Matisse Derivan, a company that specializes in manufacturing artist acrylic paints. Being born into a family-owned business, Paddo was exposed to the artistic pursuits of the company from an early age. This environment fostered his love for art, which he continued to develop throughout his schooling. His works were even chosen for exhibitions in touring school shows both at primary and high school levels.
After leaving school in 1983, Paddo joined Matisse Derivan, where he learned how to formulate and make paint. While working, he studied chemistry at night, which gave him a deeper understanding of the technical side of this medium. He was also involved in the development of new products, which exposed him to many varied and interesting techniques, many of which he uses in his work today.
Paddo has traveled extensively around Australia, Europe, North America, and Asia, promoting and demonstrating the company's products, studying local art, and collecting material for his own work. His art education is extensive, having studied courses at the National Art School, Julian Ashton's Art School, Australian Airbrush School, and Waverley Woollahra Art Centre. Paddo even taught at Waverley Woollahra Art Centre and was on the board of directors.
Given Paddo's upbringing, career, and extensive education, it's no wonder he's interested in researching pigments. Understanding the properties and characteristics of pigments is essential for formulating and creating high-quality artist acrylic paints. With his deep knowledge of chemistry and experience in product development, Paddo is well-suited to explore this area of research. Furthermore, his travels and exposure to different art styles and techniques have undoubtedly piqued his curiosity about the origins and properties of various pigments.
Below is a short summary of some of the work Paddo has done on pigment research and use.

Interesting article by Jacksons Art - it is nice to have ones research acknowledged - over 100 hours of research has gone into ensuring the stability of Prussian blue pigment in Matisse Colours
